In December 2023, Pulitzer Prize-winning author Viet Thanh Nguyen delivered a series of lectures that resonated deeply with contemporary societal issues. Titled To Save and to Destroy: Writing as an Other, these lectures were part of the esteemed Norton Lectures at Harvard University, a platform that has historically allowed artists to engage with the public on pressing matters. Nguyen’s work, known for its exploration of Asian American experiences and the complexities of the Vietnam War, offers a unique perspective on the intersection of literature and social justice.
The role of literature in societal reflection
Nguyen emphasizes the vital role literature plays in reflecting societal injustices, both domestically and internationally. He articulates that for those who are passionate about literature, there exists a profound responsibility to address these injustices through their work. “There is a task and a purpose for those who believe in literature—there is important work for us to do,” he asserts. This sentiment underscores the belief that art is not merely a form of entertainment but a powerful medium for advocacy and change.
Connecting personal narratives to global struggles
During his lectures, Nguyen skillfully connected his personal experiences as a Vietnamese American to broader global struggles, particularly the Palestinian plight. He argues that understanding these connections can foster empathy and solidarity among marginalized communities. “I felt like there was an organic relationship for me to Palestinian thought and anti-colonial thinking that was deeply tied into the Vietnam War and to me becoming an American,” he explains. This perspective challenges audiences to reconsider their views on identity and the shared struggles of oppressed peoples.
The duality of art: creation and destruction
Nguyen’s lectures also delve into the dual nature of art, which he describes as both a creative force and a reflection of humanity’s destructive impulses. He posits that while art can illuminate the darker aspects of society, it also serves as a beacon of hope and resilience. “We want the writer and the artist who will tell us that art will save us. But it’s competing against this human impulse to destroy,” he notes. This duality invites audiences to engage with art not just as a source of comfort but as a means to confront uncomfortable truths about society.
As Nguyen’s work continues to inspire and provoke thought, it is clear that his contributions to literature extend beyond storytelling. Through his lectures, he challenges us to recognize the profound relationship between art, truth, and justice, urging a collective responsibility to address the injustices that permeate our world.